Statue of the Goddess Hathor with Amenhotep II

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Statue of the Goddess Hathor with Amenhotep II

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Artefact Details

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Gallery number: 12 – Ground Floor

Period: New Kingdom

Dynasty: 18th Dynasty, Reigns of Thutmosis III (1479-1425 BC) – Amenhotep II (1425-1400 BC)

Size: Height: 225 cm, Lenght: 227 cm

Place of discovery: Deir el Bahari – Temple of Thutmosis III (Thebes West)

Material: Painted sandstone

The goddess Hathor like cow protects king Amenhotep II, son and successor of Thutmosis III who stands below her neck: the cow is surrounded by papyrus stems and wears the Hathoric horns with the solar disk with two short plumes and the uraeus (cobra).

Shrine dedicated to Hathor by Thutmosis III

Shrine dedicated to Hathor by Thutmosis III

Artefact Details

Gallery number: 12 – Ground Floor

Period: New Kingdom

Dynasty: 18th Dynasty, reign of Thutmosis III (1479-1425 BC)

Size: Height: 225 cm, Width: 157 cm, Length: 404 cm

Place of discovery: Deir el Bahari – Temple of Thutmosis III (Thebes West)

Material: Painted sandstone

This shrine with the statue of the Goddess Hathor like cow built by Thutmosis III was found in 1906 near the temple of Mentuhotep at Deir el-Bahari. The roof is painted blue with yellow stars to imitate the Vault of Heaven, and on the back wall, the king makes libations and burns incense before Amun-Ra.
The original colors have been perfectly conserved.

Wall reliefs with scenes of an expedition to Punti

Wall reliefs with scenes of an expedition to Punti

Photo by Alberto Siliotti

Artefact Details

Room number: 12 – Ground Floor

Period: New Kingdom

Dynasty: 18th Dynasty, Reign of Hatshepsut (1479-1458 BC)

Size: Height: 49,3 cm, Width: 45 cm

Place of discovery: Deir el Bahari – Temple of Hatshepsut (Thebes West)

Material: Painted limestone

Two reliefs come from the Punt portico in the second terrace of the temple of Hatshepsut at Deir el Bahari and are part of a group of scenes illustrating an expedition to the Land of Punt in the southern part of the Red Sea made during the ninth year of Hatshepsut reign. The main scene shows the king of Punt Parehu followed by his wife Ati, and several men carrying some of the products of Punt: incense, myrrh, gold, and ivory.

Wall Frieze of the legend of Oedipe

Wall Frieze of the legend of Oedipe

Artefact Details

Gallery number: 50 – Ground Floor

Period: Roman period (c. 30 BC – AD 306)

Size: Height: 98 cm, width: 239 cm

Place of discovery: Tuna el -Gebel (Upper Egypt)

Material: Stucco pigment (unspecified)

Oedipe (Oedipus), according to Greek mythology was the son of Laius and Jocasta, the king and queen of Thebes. When he was born the king consulted an oracle that revealed he was condemned to die at the hands of his son. Because of this prediction, the parents ordered a servant to kill the child; however, the servant took pity on the child and gave him to a shepherd. The shepherd called him Oedipus or ‘swollen feet’ since his feet had been tied tightly by Laius. Oedipus was taken to Corinth and was given to King Polybus and his wife Merope, who decided to raise him as his own. As an adult Oedipe went to the oracle of Delphi wanting to know if he was the son of the king and queen of Corinth, but instead the oracle told him that he had a dark destiny whereby he would kill his father and marry his mother. To evade the oracle’s prediction, Oedipe decided to leave Corinth and head to Thebes.

On his way to Thebes he came across King Laius riding his chariot at a narrow spot on the road. The king ordered Oedipe to move aside, resulting in an argument, leading to the king to killing one of Oedipus’s horses. Oedipe in return drags the king from his chariot and killed him not knowing that he is his real father.

Before entering Thebes, Oedipe met the guardian sphinx of the city, with the head and breast of a woman, the body of a lioness and the wings of an eagle. She was sent as punishment from Hera or Ares, as mentioned in the latest version of the myth. The sphinx would stop all travellers unable to solve certain riddles such as: What creature with one voice moves on four legs in the morning, two legs at midday and three in the evening? The answer is man during his life stages. Another riddle mention asks: Two sisters one gives birth to the other and she, in turn, gives birth to the first. The answer was the day and the night.

Oedipe answered this riddle correctly and the Sphinx was destroyed by either throwing herself from her high pedestal, killed by him, or in a third version, devouring herself. As a reward for liberating Thebes Oedipe was offered the hand of the Dowager Queen Jocasta, subsequently becoming king of Thebes, not knowing that she was in deeded his mother. However, Oedipe struggled in his duties and the oracle warned that the only solution was to kill any eyewitnesses the fight, but Jocasta had already started the search for a witness to murder of her former husband. On questioning the witness, Oedipe realised that he was the son of the king and queen of Thebes and that he had killed his father and married his mother as the oracle predicted. At this realisation, Jocasta ran to the palace and hung herself in her rooms. When Oedipe discovered her body, he stabbed his eyes with the needles of his robe, left the palace and asked for quick punishment. He blinded himself because he could not bear to look on the faces of his parents, his family or the people of Thebes.

This wall frieze, framed with a band of three lines in blue, yellow and black, decorated a tomb wall and illustrates three major moments in Oedipe’s life. Read from right to left, the first scene depicts Oedipe slaying his father Laius, king of Thebes. Oedipe is represented nude except for his brown high boots flowing reddish–brown cape, and the baldric of his sword, grasping his father’s hair with one hand, while the other plunges the sword into his body. Behind the king a stela is represented to mark his grave, next to which the figure of Agnoia, personification of ignorance is dancing.

The central scene depicts the god Zetema and the goddess of Thebes. Zetema (whose name means Inquiry and search) is depicted as a young man seated with his legs to his left, looking back to the right, towards Oedipe, wearing a green himation garment wrapped around his lower body. Thebes is depicted as a young female wearing a light brown himation wrapped at her lower body and resting against a rocky ridge that probably indicates Mount Kithairon. The third scene, depicts Oedipe opposing the sphinx outside the city walls inside a stone arched gateway, his left hand grasps the hilt of his sword, while his right arm is raised. The winged sphinx crouches on a high pedestal in Greek style.

Head of Alexander the Great

Head of Alexander the Great

Artefact Details

Gallery number: 34 – Ground Floor

Period: Ptolemaic (332 – 30 BC)

Size: Height: 10 cm

Place of discovery: Al-Yauta (Fayum)

Material: Alabaster

Image Gallery

This alabaster head is the remain of a small statuette of Alexander the Great: the emperor has been given long thick curls held in place by a band that was an emblem of royalty in portraits of Macedon: Probably a crown was inserted on top of the head.

Head of Userkaf

Head of Userkaf

Artefact Details

Gallery number: 46 – Ground Floor

Period: Old Kingdom

Dynasty: 5th Dynasty – Reign of Userkaf (2435 – 2306 BC)

Size: Height: 38 cm

Place of discovery: Abusir – Sun temple of Userkaf

Material: Greywacke

Userkaf was the first king of the 5th Dynasty and for the first time associated a solar temple with a funerary temple and is depicted with the Red Crown of Lower Egypt. This beautiful uninscribed head, found in 1957 during the joint excavations of German and Swiss Institutes in Cairo, is one of the masterpieces of the Old Kingdom sculpture.

Unfinished head of Nefertiti

Unfinished head of Nefertiti

Artefact Details

Gallery number: 3 – Ground Floor

Period: New Kingdom

Dynasty: 18th Dynasty, reign of Amenhotep IV- Akhenaten (1353-1336 BC)

Size: Height: 35,5 cm

Place of discovery: Tell el- Amarna

Material: Quartzite, pigment

This beautifully unfinished head of Queen Nefertiti, the royal wife of Amenhotep IV (Akhenaten) recalls the iconic beauty of the famous bust now in Neues Museum in Berlin and present her as an idealized royal figure but, despite the unfinished state of the sculpture the classic elements of Nefertiti’s facial features are still visible.
The origins of Nefertiti (his name means «The beautiful one who has come») have not yet been fully clarified but we know that she got married at 13-year-old during the first three years of Akhenaten’s reign. This masterpiece of the Egyptian sculpture cade according to the canons of Amarna style of art, was discovered in 1933 during the excavations at Tell el-Amarna by the Egypt Exploration Society in a sculptor’s workshop that produced composite sculpture pieces and this head was intended to be mounted on a composite statue: the black guidelines on the queen’s face give us an idea how the sculptor worked.

Statue of Ramesses II as a child protected by the God Horun

Statue of Ramesses II as a child protected by the God Horun

Artefact Details

Gallery number: 10 – Ground Floor

Period: New Kingdom

Dynasty: 19th Dynasty, reign of Ramesses II (1479-1458 BC)

Size: Height: 231 cm

Place of discovery: Tanis, San el-Hagar

Material: Granodiorite

This statue represents Ramesses II as a child (mes), naked, with his finger on his lips, wearing a lock of hair (known as the side-lock of youth) to the right side of his head, surmounted by a sun disk (ra) and his left-hand grasps a rush (su). The King is under the protection of a falcon god called Horun, a deity from the mountains of Lebanon associated with the god Hamakhis «Horus of the Horizon». This statue is a monumental transposition on the stone of the name of king Ramesu.

Sedan chair of Queen Hetepheres

Sedan chair of Queen Hetepheres

Photo by Alberto Siliotti

Artefact Details

Room number: 37 – Ground Floor

Period: Old Kingdom

Dynasty: Dynasty 4, Reign of Snefru (2543-2510 BC)

Size: Height: 52 cm – Width: 52-53,5  – Length: 99 cm – Poles length: 99 cm

Place of discovery: Giza, Tomb of Hetepheres I

Material: Wood and gold leaf

Hetepheres was the wife of Snefru, the first king of the 4th Dynasty and mother of Khufu: his sedan chair with two carrying poles decorated with palmiform capitals was found by the American archeologist George Reisner in 1925.
It is the only example of this kind of chair that survived to the present day. Ebony panels with golden hieroglyphs that give the names and epithets of the queen adorn the back of the chair.